I knew this. Be that as it may, for reasons unknown it gave me an AHA Moment when I was pondering it toward the beginning of today. It is something I do intentionally for each artistic creation and verbalizing it made it clear! I adore when that happens. I'd get a kick out of the chance to impart my minute to you! It needs to do with the piece or plan of our artworks.
One of the vital objectives of an artistic creation is to give the watcher and intriguing visual voyage. We have to give them an approach to enter the canvas, indicate them around, demonstrate to them what is critical and have them leave fulfilled. How would we achieve the greater part of this?
We have to PLAN for it and consider driving our watcher both in the underpainting....what we put underneath, AND what we put to finish everything, or those last layers and checks.
I started the work of art with an arrangement. I completed an esteem thumbnail and a Notan. I contemplated what I expected to do to hold the shapes together and manage the eye from the forefront up to and behind the tree. What might I put UNDERNEATH? I included a dull esteem pathway that would be under the grass yet would unobtrusively pull the eye back. I included proposals dull shapes in the underpainting.
As the artwork created I added AREAS OF CONTRAST to draw in and pull the eye around the work of art. I utilized hard edges against delicate, splendid hues encompassed by more blunt hues, dim states of tree trunks against the light of the sky. The blooms likewise turned out to be small venturing stones into the work of art.
Equipped with this data makes it harder to become mixed up in the advance of an artwork. I am substantially more liable to have victory.